Welcome!

CDPHE Vaccine Campaign

From July of 2025 to July of 2026 I worked with Torch media on an extensive vaccine campaign for the Colorado Department of Public Health. We delivered 30 videos in both horizontal and vertical formats. We made equivalent videos in both English and Spanish with different doctors, a Ukrainian video, and a Somali video. I’m fairly fluent in Spanish and enjoyed editing in the language, but I don’t know any Ukrainian or Somali, so editing those videos was quite a challenge to overcome. Collaboration with native speakers in those languages gives me the confidence to say we did a good job.

My role encompassed the entire post-production workflow: editing the RAW footage, synchronizing audio, editing rough cuts and crafting storylines about topics, designing motion graphics (both the style and the execution), working through extensive, detailed notes, and delivering the final files. In the end we delivered over 90 minutes of content, with almost no repetition. The same length as a feature film!

Salesforce

Starting in 2024 I did editing and animation for Salesforce Explained videos, Salesforce Demos, and more recently, Agentforce videos.

These involved not only traditional motion design, but also editing screen recordings and even building entire faux UI environments.

CyberPower

Since February 2024 I’ve been contracting with CyberPower through Horizontal Talent. As of September 2026 I’ve completed over 50 projects: video editing, motion graphics, new branding design, educational videos, advertisements, social reels, in-store branding, and B2B marketing. I also use their UPS battery backups myself to protect my PC at home from power surges and outages.

Freelance

After years of cycling through various agencies without finding a true home, my career led me towards working in a freelance capacity in early 2024. Admittedly this started with doing DoorDash deliveries and other odd jobs, but soon I started working with MarketScale on a wide variety of projects, CyberPower and Wheelhouse Communications on two projects with animated characters.

TMS

McDonalds Happy Meal Games

I designed the motion for these games. I made the intro videos for each project. I was responsible for some game animations, which involved bringing assets out of Figma or Adobe Illustrator and importing them into After Effects for animation. I was also responsible for the delivery of video files, VIE’s, lottie files, sprites, and sound assets to the dev team.

Marpipe

Steelseries & Segment

I designed the motion for these animations, and then strategized tests resulting in hundreds of creative options. Using these new animations we were able to increase key marketing stats like CTR and conversions rates. For Segment we brought cost per lead down by over 1000%.

EKO Launch

Brand animations

I made these animations while working at Boomshot for various uses.

A woman with glasses, wearing a beige jacket and blue jeans, stands outdoors with her hands in her pockets, looking up at a sky where clouds are shaped like a human face, with an airplane flying nearby.

RESY - Golden Check

Using assets provided by the creative director for the project, I created a 3d animation to highlight the Golden Check program run by RESY. This program allowed restaurant owners to award patrons who booked with RESY “golden checks” which would grant them a free meal.

RESY x RESERVE

wine swirl

I illustrated and animated this wine swirl by hand for RESY’s campaign surrounding their acquisition of the RESERVE app.

Fanduel - Multisport

I did all the graphics for this spot. We made pop up graphics appear to replicate what might be happening on the phone at the time, and added fun animations to some of the icons. We also made all of the text dynamic and interesting.

NASCAR

Names Are Made Here

I designed this spot, chose shots to be placed, and determined the overall timing and pace of the animation. A key element to the success of this spot was creating 3D lighting effects, and adding texture to both the text outlines and the footage itself. The animation became a key element of the end-cards for hundreds of other spots throughout the NASCAR season.

ESPN

Hand Eye Coordination

I worked closely with those involved in this project from concept to completion. I consulted with the directors, producers, writers, editors, and special effects artists to ensure that the video both represented Overwatch well (as I was the only member of the creative team who had played the game), and spoke strongly to the deaf community. I carefully viewed all of the footage, and pulled key selects. I built references for the special effects team to refer to when building the 3d effects. I also installed overwatch on an office computer so the creative directors and producers could play the game and have a strong reference point for making an amazing film. I also built some sfx sequences myself for the pov shots. I’m really proud of the final product.

RESY x Capital One

North Brooklyn Farms

I edited this short film about RESYxCapital One’s experience. We also made and 30 second version, and the spot aired primarily on social media channels.

ESPN SEC Storied Trailers

I edited these trailers for documentaries to air on ESPN’s SEC network. I also recorded the scratch tracks for the VO.

Hashtag 500

For the Daytona 500, I edited several social media videos for Instagram and Twitter. We made many versions so each driver could post an individualized piece of media. NASCAR liked the spot a lot, and decided to pick up a version to air live on television..

Vuelve - Daddy Yankee ft. Bad Bunny

I did background photography and videography for Vuelve, the 2017 single by Daddy Yankee ft. Bad Bunny. My work became the featured album cover for the single, and was featured on the Instagram, Facebook, and other social media outlets for Daddy Yankee, Bad Bunny, and Daniel Duran, the director. The work appears on iTunes, Spotify, YouTube and many other media outlets.

Apple Music playlist cover titled 'TRAP KINGZ PLAYLIST' with a gradient background of orange, pink, and blue. Surrounding it are album covers, including 'Bad Bunny' on the left and green text reading 'WU TANG' on the right.
Cover art for the song "Vuelve" by Daddy Yankee and Bad Bunny, featuring a black and white photo of two people standing on a street at night, with green graphics and text.
A woman and a tattooed man in a dimly lit, red-toned setting, both making a shushing gesture with their fingers to their lips.